SLMM member artists
If you are a SLMM member artist and would like to be listed on this page, please click here to access and submit the Artist Link request form.
A PAINTER’S WORK IS HIS DIARY…JOURNEY. As a water media artist, my life experiences become filtered in my eye, mind, and heart. They are then transformed into my paintings… of joy and passion and adventure and reflection… I want the viewer to crawl into my work and walk through each step of motion or intensity or serenity.
I am a mixed media collage artist and acrylic painter, having been in SLMM for a long time. My focus is on experimental and bringing old treasures to a new life in art, such as U.S cancelled postage stamps, old maps, music scores, wine labels and much more. These add an extra dimension to my art and bring an added interest from the viewer.
Barbara begins each new work while in a mediation. In a space between control and mystery. The creative process is a way into something beyond the tangible and then making into a visual invitation.
I live in the desert. I steal its topographic and geologic colors and shapes. It is Earth thinly-clothed in sparse vegetation with her landforms exposed under vast expanses of sky. Colors and shapes are sensual and subtle, shifting with the changing light. On large and small scales, her topography is dramatic and artful.
My work is construction: I build art. Anything goes that contributes to composition, texture and tonality that make the final form. Whether they be paint, ink, paper, concrete, sand, rock, earth or fabric then whatever works, Works!
I begin with the germ of an idea — a color, pattern, background — and wait for the art to tell me how to finish. I sometimes fail myself, but the art never fails me if I listen to it.
Creating drives my life. Whether it was within my long teaching career with 4th graders at a progressive school, or during the past 20 years of my business, Duncan Designs, I've enjoyed inventing new art forms in different mediums. Nature provides infinite inspiration for me, and it pushes me with my wet felting, in paintings, and with encaustic work.
I am an experimental artist and work with paper, fabric and found objects. My media is mixed media, collage and fluid acrylics. Nature is often a theme in my work. My goal is create a feeling of peace and tranquility and belief in a higher being.
The focus of my art is on Expressionism. The difference between Expressionism and Abstract Art is that Expressionism does not necessarily abandon all figural or representational elements. It can often use elements of abstraction to create an emotional effect and may utilize diverse techniques to convey nontraditional and nonrepresentational images. I am particularly influenced by many artists, abstract expressionists, and by the French Impressionists. I view my art as works that create a lasting image of the ever-changing world around us, which I interpret with romantic, lyrical, and multi-hued images. My paintings are in private collections across the country. I often donate my artwork to fund raising and charitable activities.
I paint from the outside in and the inside out outdoors in nature and from my imagination in the studio. With my nursing background, I am interested in the topic of health care and art. I practice as an art therapist in private practice and work artistically in my studio in a variety of mediums.
As a fine artist, I have always been fascinated by color. As a young child when my mother put me down for a nap I would stare at the quilt squares of pink, turquoise, and lemon yellow. In being a young artist, I experimented with embroidery and weaving. Since 2010 I have been a painter. First, with pastel and then added oils - what a challenge! and also paint with other mediums. Color is my thing. I strive to paint with harmonious and striking tantalizing color. My work has more than one style. Although I started in pastels, I am now working with acrylics, oils, alcohol inks. It is a journey.
I feel that just like life, creating art is a journey of discovery. Each piece of work that I get involved in is a metaphorical symbol of where I am mentally, physically and spiritually in my process of coming to awareness. By mixing the media and creating various layers I am able to convey subtle sensitivities that would normally not be evident in a flat painting. The layers give emotional depth. Working intuitively, always thinking in the potential, I find that accidents can impart a special subtle life & breath to a concept.
My goal as a painter is to bring all that I have become into visual existence using acquired artistic knowledge and intuition to develop a concept of reality.
In every season of life, there is something to celebrate! As I paint and collage with materials that touch my soul it brings me hope, peace and a purpose to life.
My artwork is earthy, organic and multimedia. I enjoy painting from nature then interpreting my images into collages using textures. I work experimentally, painting positive and negative shapes, and adding embellishments. I am always looking for a way to interpret what I see in a more creative way.
www.jessicanojek.com Instagram: @JessicaNojekArt
Jessica Nojek is an abstract, acrylic painter in love with layering, texture, and gold metal leaf based in Albuquerque, NM. She works in abstract layers and gold metal leaf as a contemplation on the layers within our mind between our darkness and light; our ego and heart. In life we have moments of clarity tied to something bigger than what and who we think we are, and the back and forth in our minds and hearts between clarity and thought is the “what” that I attempt to share with others through art.
I am compelled to speak in a visual way. Choosing from an array of materials, I produce objects—mostly paintings, reliefs and sculptures—that reflect who I am. But fascinated by something unusual or different, something that makes me curious or wonder, I reach for my camera to freeze the moment.
My work is a culmination of the physical, emotional, mental, and spiritual aspects I experience at a particular time. Starting with random marks and strokes, I add many layers of colour to allow unexpected images to appear. As I tap into my intuition, the paint ‘speaks to me’ and tells me what it wants to become.
Janet is a poet who paints stories of spirituality, psychology, healing, the unknown and unlimited possibilities. Instead of words, she uses layers of painted paper, photographs, sometimes found objects, and paint on canvas. You are invited to step into her stories.
"Art has always been a process of self discovery, healing and integration for me. Focused image–making and random experimentation with materials are partners in the work. Most of my paintings express different aspects of my experience of the inner spiritual world, drawing upon my dreams, personal symbols and world religions. They begin with a seed idea and then expand to include the thoughts, feelings and images that emerge during the painting process."
The Natural World has been for me a source of wonder and awe, sensory input, and beauty. More important, however, I have become increasingly fascinated with the elegant systems of the natural world and the interconnectedness of things. My education and career in human behavior and psychology, along with a life-long love of Native American philosophy and spirituality has enriched this sense of connectedness. My work strives to reflect the spirit of Nature and the nature of Spirit.
"My paintings are improvisational tempered by decreasing realism… Although my palette changes as I experiment, warm colors predominate; red is my favorite color. My travels and life experiences form the backdrop and intuition gives final enhancements."
I love to paint. I love the color and response of the paint on the surface of whatever paper, canvas, or board that I am painting on. I think watercolor sings on paper and you can't beat the colors in acrylics. In this painting, "Tango", my love for dance comes through.
Facebook: Krystall Barnes Great Bend KS
Every painting that I complete is a result of my wrestling with the question: how do my origins — the people and places and events of my past — affect my life today, and can I come to some sort of peace with them? The answers to my questions have been slow in revealing themselves to me, and I know that they may never do so. The glazing process that I use for the majority of my paintings is similar to the emotional process that I have experienced. Glazing involves the patient, time-consuming application of layer after thin layer of paint, letting each wash dry before adding the next. No colors are mixed on the palette — instead, they are applied to the paper in their pure form. Subsequent washes of paint will determine the resulting color. Painting in this manner requires much planning, patience, and forethought as each piece goes through many awkward, even ugly stages before revealing the finished product. As I work, I impatiently endure nursing my works through these stages so I can see the end result that I envisioned as I planned the piece. My paintings are really about emotional growth and overcoming obstacles from the past. They express my acceptance of the duality of life: positive coming from negative, beauty from ugliness.
For many years I worked in the environmental field but I became depressed and disillusioned with what I saw happening around me. Since 2009 I’ve had the incredible privilege of being able to live and work as an artist in China, and have traveled extensively throughout Asia. My practice has allowed me to explore who I am in the world and learn about other cultures through exposure to their art. I’ve been able to keep the incredible people I’ve met, places I’ve been, and experiences I’ve had alive in my visual creations. For me art is life and life is art - there is no separation.
My artwork is about empathy—for ourselves, our stories, and for the planet. When we spend time with artwork that moves us we experience our shared humanity and feel our connection to the natural world.
I work with oils, acrylics, photographs, and related media to create abstract works that typically reflect complex, multi-themed visualizations. My goal is to draw the viewer into the piece, creating a conversation between the artist and the viewer.
I see in the Universe a mystical world of flowing energies. It is the essence of this spiritual energy and its beautiful vibrant colors that inspire my paintings.
I am a local artist born and raised in Great Bend KS. I joined SLMM recently and have thoroughly enjoyed the network of artists and the encouragement from this amazing group of creative individuals.
As a long time art educator I have traveled through many mediums. I fall in love with each one. These art forms are my expression of experiences. I have a burning desire to learn new techniques, use new materials. I can easily fall into the comfort of the familiar and favorite colors and creations. I love realism as well as abstract.
It was created at midnight at my cabin. The Well Fed Happy Birds were outside singing with the Music. I was holding an Expired Butterly in my hand and created the entire image with a fairly large brush. During that process I said to myself I could never do this again. I still say that because I painted every segment in the butterfly’s wings from my, since age 8, prior experience as an artist. True Layerism!
The title of the Painting is “Fly By” and there was a “Fly By” during my husband’s Funeral 17 years ago with the painting present. The fact that our youngest granddaughter was born at that time makes it a Special Memory also.
My creative process is simple yet complex. The techniques may be simple, but the application involves many levels and dimensions to create the final piece. Texture is an important element as well as juxtaposition of color. There are undercurrents in my work that the viewers generally do not see but often ask “how was that effect achieved?” They look on the surface. I challenge them to look into and behind the obvious. The deeper meaning may only have been what memories and emotions were evoked in working with the materials in my studio that day.
Myths, symbols, and legends of various cultures, sometimes referring to specific historic occurrences interwoven with modern issues, are important elements in my work. I am fascinated with the effects of time on artifacts, people, events and experiences.
You cannot teach a man anything. You can only help him find it within himself. — Galileo "I have been alternately surprised, gratified and puzzled by our human ability to both create and then solve our own struggles. It is as if Galileo’s quote implied that all we need is to listen to ourselves, our real selves, to grow, thrive and prosper. It seems simple, yet the compelling demands of daily life work against our ability to listen and know ourselves.
My paintings attempt to give the viewer a small space in which to focus totally on themself and their own unique responses to the piece. The images are layered, complex and non–representational. Each is intended to be a tangible and unique bit of reality for which the viewer will provide meaning."
My art invites personal reflection exploring the interconnectedness of nature, life, spirit and time. I invite you to take this magical journey with me.
Vibrant Colors and rich textures explode on the surface of my non-objective work. My paintings are always a process. I work intuitively as the image evolves. Varied layers of glazing give lushness and depth, while the addition of mediums helps to create the textures that emerge in the final image. I work pushing and pulling shapes, surfaces, and colors, until I am excited with the uniqueness of each piece.
I began as a ceramic artist and moved into mixed-media flatwork and assemblages. I enjoy playing with papers, found objects, and paint and rarely plan a piece, but rather begin it and then react to it, layering and layering, letting the piece tell me where to go. I'm drawn to the natural world as well as to strong shapes (circles and squares, spirals), and I sometimes incorporate found objects that I discover on walks around my city—rusted bits discarded by others, treasured by me.
I think of my work as inventories of compositional lines and shapes inspired by my drawings, paintings, and photographs. Influenced by daily visuals seen in our landscapes and buildings I create abstract work that captures the essence of these elements that seem to stay with me and shape my body of work. While exploring planet earth I become a collector of visuals saved for future use. In the studio these elements gain energy and take form. Using layers of translucent and opaque glass with the tools of a painter, I construct improvisational works that are schematic in design and invite the viewer to move into a space of speculation.
I see the world as a web of interconnected facets, finding commonalities among seemingly disparate elements, in literature, in music, & in my art.
After 20 years of painting I tried a ceramics class. I found my medium and can't wait to touch clay! My work is abstract and I name my sculptures for women artists who could use a bit of publicity.
My art embodies the music, harmony, and mystery of the Universe, the underlying energy of our world, the music of being within all things, creating a peaceful, harmonious space wherein one can experience silence, still–point, and oneness with all.
My work investigates our surroundings and how they interact with memory, permanence, change, and regrowth. How do we process our sense of place and the collective memories that go with it, even as it changes? By capturing images and combining hand-worked elements into digital layers, I create abstracted viewpoints that explore timelessness, familiarity, and recognition.
What do I do that I love? I create… constantly, consistently and creatively. I strive to realize my dreams, often portraying them in my art with hard work & devotion, looking above for guidance. Color—intensity—texture—vitality—these are my friends.
Barbara J. C.
I make ceramic sculpture and mixed media paintings from my spirit, which reveal the exploration of my history, experiences, emotions and moods.
My art is a reflection of how I internalize the awe and wonder of the world around me. The process of art-making is guided by my love for exploration and learning.
I once read that artists paint to discover personal truth and in turn find their visual voice and develop their individual painter language. My experience indicates that there is definitely a correlation between my search for personal identity, “isness,” and my choices of what and how I paint. I use layering to interweave my outer physical and inner emotional and spiritual responses to specific natural subjects that convey a like identity necessity, “isness.” My hope is that my work speaks a painter language that resonates with like personal truth seekers.
If you are a SLMM member artist and would like to be listed on this page, please click here to access and submit the Artist Link request form. You can also request updates to your existing info by submitting it via the same form.
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